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Jesus in Japan:
A reflective voice in a noisy world.
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Jesus in Japan is the creation of Brooklyn based soundscape artist Kevin
Brooks. An experienced song writer and performer, Kevin started his musical
career in the early 90's with the Pittsburgh band Big Bean Theory, where he
began experimenting with effects and unorthodox use of his guitar to create new
sounds during live performances.
When the band split in 1998, Kevin moved to New York to explore some fresh
musical ideas. Intrigued by the challenge of communicating complex emotional
states through seemingly simple musical compositions, Kevin honed his craft for
the next 7 years through collaborations with theater groups, performance
artists, and film makers in and around New York City. During this time, he also
returned to the stage with the Brooklyn post rock ensemble Rahu-Ketu and started
work on a solo project that would become Jesus in Japan.
In the midst of busy collaborations and the high energy environment of New York,
Jesus in Japan was born out of a need to express something more personal, more
reflective. Contemplative, and highly nuanced, the music of Jesus in Japan is
refuge, a quiet place in a world spinning out of control, and an invitation to
look inside.
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![Traces by Jesus in Japan [Traces by Jesus in Japan]](http://he3.magnatune.com/music/Jesus%20in%20Japan/Traces/cover_200.jpg)
Traces
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Jesus in Japan lives in
Pennsylvania, USA.
Tagged as: Ambient, Experimental.
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- DP Kaufman: ambient, melodic electronica meets neo-classical
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- Giorgio Costantini: Intense and minimalist new-classic piano and cinematic orchestration
- Emavision: the sound of trees falling between East n' West
- Kristian Taus: Collections of melancholic and minimalistic soundscapes
- Elizabeth Wolff: 19th century classical piano
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