The Bach Players : Italy versus France.
Baroque instrumental and vocal gems.
Italian or French? Jean Baptiste Lully and Arcangelo Corelli were the champions
of these two musical styles and the main subjects of the many attempts to
establish which style was better. Or could the two styles be united? This
programme paints a musical picture of the seventeenth century in Europe, through
the music of Corelli, Lully, and their contemporaries.
Chief among the
reconcilers was the organist and composer Georg Muffat. German but of Scottish
ancestry, it was he who introduced both styles to Germany. Also included are
Rebel's homage to Lully and Couperin's to Corelli.
"This is the most enjoyable programme of seventeenth-century chamber music I have
heard in a long time. The recording manages to capture the strings in gutty
rather than silvery detail so we relax and enjoy the music without suffering
from steel-string fatigue. Altogether, this is a wonderfully diplomatic
programme which brings the best out in everyone - French, Italian, German and
performers alike."
- Simon Heighes
Songs:
1. Ouverture Le bourgeois gentilhomme (Jean-Baptiste Lully)
2. Chaconne Le bourgeois gentilhomme (Jean-Baptiste Lully)
3. Tombeau de M Chambonnieres (Jean-Henri d'Anglebert)
4. Tombeau de M de Lully (Jean-Fery Rebel)
5. Prelude (Robert de Visee)
6. Musette (Robert de Visee)
7. Ouverture Blanditiae from Florilegium secundum in E minor (Georg Muffat)
8. Sarabande Blanditiae from Florilegium secundum in E minor (Georg Muffat)
9. Bourree Blanditiae from Florilegium secundum in E minor (Georg Muffat)
10. Chaconne Blanditiae from Florilegium secundum in E minor (Georg Muffat)
11. Gigue Blanditiae from Florilegium secundum in E minor (Georg Muffat)
12. Menuet Blanditiae from Florilegium secundum in E minor (Georg Muffat)
13. Echo Blanditiae from Florilegium secundum in E minor (Georg Muffat)
14. Ciaccona No12 Trio sonata Op2 (Arcangelo Corelli)
15. Corelli au pied du Parnasse prie les Muses de le recevoir parmi elles Apotheose de Corelli (Francois Couperin)
16. Corelli charme de la bonne reception qu'on lui fait au Parnasse (Francois Couperin)
17. Corelli buvant a la source d'Hypocrene sa troupe continue Apotheose de Corelli (Francois Couperin)
18. Entouziasme de Corelli cause par les eaux d'Hypocrene Apotheose de Corelli (Francois Couperin)
19. Corelli apres son entouziasme s'endort et sa troupe joue le sommeil suivant Apotheose de Corelli (Francois Couperin)
20. Les Muses reveillent Corelli et le placent aupres d'Apollon Apotheose de Corelli (Francois Couperin)
21. Remerciment de Corelli Apotheose de Corelli grande sonade en trio (Francois Couperin)
22. Toccata in A minor (Bernardo Pasquini)
23. Sonata grave Armonico tributo sonata II in G minor (Georg Muffat)
24. Allegro Armonico tributo sonata II in G minor (Georg Muffat)
25. Grave forte e allegro grave Armonico tributo sonata II in G minor (Georg Muffat)
26. Aria Armonico tributo sonata II in G minor (Georg Muffat)
27. Grave Armonico tributo sonata II in G minor (Georg Muffat)
28. Sarabande grave Armonico tributo sonata II in G minor (Georg Muffat)
29. Grave Armonico tributo sonata II in G minor (Georg Muffat)
30. Borea Armonico tributo sonata II in G minor (Georg Muffat)
Listen to: the entire album.
License Baroque instrumental and vocal gems by The Bach Players for your project.
Play the music of The Bach Players in your restaurant or store.
Release date: 7/9/2011
The Bach Players lives in London England
Tagged as: Classical, Chamber Music, Baroque, Instrumental, Composer: Arcangelo Corelli, Composer: Bernardo Pasquini, Composer: Francois Couperin, Composer: Georg Muffat, Composer: Jean-Baptiste Lully, Composer: Jean-Fery Rebel, Composer: Jean-Henri d'Anglebert, Composer: Robert de Visee, Harpsichord
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